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Posts Tagged ‘Sigur Ros’

A Collection of Beautiful Mistakes, Captured From the Aural Ether

Tuesday, April 14th, 2009

It’s funny how the human mind works. Each new day for every one of us (though many would argue differently) seems to be nothing more than an attempt to separate ourselves from the masses and to become unique in our own right. And it’s not like we’re being self motivated in doing so either: the world we know–every magazine, website and television show– encourages it, or rather, discourages the contrary. Take Apple for example: Here’s a company that gears it’s entire ad campaign toward emphasizing the different ways that you can express your own personal feelings and be unique by using their products. Everything is customizable, and the iPhone does indeed, “have an app for everything.” However, there’s one thing that Apple fails to acknowledge, despite the fact that it contributes enormously to the success of their products, and this is the simple fact that every single one of the products looks exactly the same.

nano ad

Like I said, it’s funny how the human mind works, for our drive to be unique and independent seems to have lured us into a giant black pit of uniformity. And it not just within the corporations that this type of trickery (although I do have a hard time calling it trickery seeing as we’ve elected into it) occurs. Think back to high school, and take a look at the punk movement. Punks seem to thrive off the notion of anarchy, because it is a concept that is quite the opposite of what the mass majority of people are interested in. They want to be unique and to avoid letting mainstream culture influence their lives, but again, the failure to be unique can be seen in this attempt to be just the opposite. Punks started dressing the way they did (tight black jeans with floss stitches, patches, odd hair colors and styles, and such, to place their image as far away from what is generally excepted as possible. Why, then, do they continue to dress this way, despite the fact that a Google image search on the word punk yields this picture? Though their mission statement may indeed be antiestablishment, punks are really just appealing to a different establishment, so that they might fit in among this other group of people. The put things concisely, they aim to be defined as punk.

The list really does go on forever, and while it would be quite feasible to write a book containing purely the instances in which this trend is followed, it seems much more proper to decline this challenge and skip ahead to an extremely rare find that recently poked its sleeve out from the bottom of the stack: an artist, who truly embodies the uniqueness that most only think they have.

Emancipator

Having spent an unusually large amount of time simply tracking down this Oregon producer’s album (which I can only assume was distributed by dropping jewel cases from an airplane out over the pacific and letting them do their thing) I had prepared myself for something out of the ordinary, however, what I received upon placing that album in my cd player made my expectations look like a hipster without a fedora: very, very wrong.

emancipator

Though they certainly are not the kind of thing you’d throw into a dj set (or at least the kind we’re familiar with) Emancipators beats come from a different world, and could very likely be the perfect cure to your post party depression. For an electronic musician, he uses surprisingly little synthesizer, and replaces this absence a mastery of unlikely string instruments and natural sounds, and though there are clearly roots that stretch from deep in the realm of hip hop, many of his tracks also convey influences as obscure as the drill ‘n bass of Aphex Twin. All things considered, however, I feel nothing contributes more deeply to the sound of Emancipator than his refusal do be what has already been. His un-doctored ideas have an uncanny ability to make even the most restless child open his eyes wide, sit still, and listen, and that talent, in my opinion, is the rarer than a golden 8 track.

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Mobb Deep & Sigur Ros – Shook (Emancipator Remix)

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03-Emancipator – First Snow

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Emancipator – Wolf Drawn

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10-Emancipator – Good Knight

What’s With All These English Speakers?

Thursday, December 4th, 2008

There’s a certain aspect of the indie electronic scene that I’ve never been able to understand: Why is it that (in a large number of cases), the country that an artist comes from has almost nothing to do with the language in which they do their work? For a genre of music that holds some serious power in a huge number of countries around the world, it seems we’ve developed an overabundance of English speakers. I mean, obviously, there’s some sense in a British, Canadian, or American artist putting out an English record, but look at Daft Punk, Justice, Digitalism, and The Bloody Beetroots; All huge names from non-English speaking countries, and yet all of their albums, lyrics, websites, and promos are done in English.



In a certain respect, I suppose there is a bit of sense in the concept of “appealing to a larger audience”, but who’s to say that English speakers would not buy it if they couldn’t understand it? Justice doesn’t seem to have much trouble making their way throughout the rest of the European countries. And I realize that some of your minds are likely filling up with fury at the fact that I would think to complain about having so much music written for me to listen to, but personally, I feel that though it is indeed nice to hear and understand words in my native tongue, that I have lost a part of music that’s even more important to me.

Think about it this way. Musicians (and don’t hold me to this, because I’m sure there are several significant exceptions), do not become musicians because of their overflowing need to deliver their poetry; They would otherwise simply have become poets. Musicians become musicians because they want to create, feel, understand, and live for the music, and as such, I don’t believe lyrics need to be understood for the message in a song to be delivered. Sigur Ros, for example, chooses to make use of their native Icelandic, a language spoken by less than 300,000 people worldwide, for most of their music, and this has allowed us as listeners to devote attention to the emotion in their vocalist’s voice, without the worry of being distracted by his words. Needless to say, the success of the band has, in no way, been hindered by the choice.

I suppose my goal here was to address this matter, rather than to provide an explanation. Considering I don’t have any real evidence with which to draw conclusions, I’d be delighted to hear from anyone who’s got anything to say on the subject, however, before you go commenting, I should leave you with my latest discovery to ponder…

Familjen

I’m entirely thrilled that a simple stroke of luck put me in touch with Familjen, a curious producer and vocalist from Stockholm, Sweden. His work, though it makes use of the expected driving kick drum like so many these days have come to know, captures a style that I believe its fair to say has not been heard before. His tracks develop in a fashion that could be considered highly simplistic, and yet the huge amount of invisible detail in them gives them a bit of a spark that moves them into an unusually satisfying dimension. The best part about it, however: His vocals (and just about everything else for that matter) happen to be composed entirely in Swedish.

Quality beats, indeed.

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Familjen – Det Snurrar I Min Skalle

The Beginning of Something Beautiful

Monday, August 25th, 2008

If I were to quit listening to, blogging about, and living for music today, I’m proud to say that I would, in fact, die happy, for today I have discovered what I consider to be the most perfect blend of sounds to have graced the many ears on this earth in years. Naturally, you’ll have to excuse me if you don’t completely share my idea of beauty and finesse in the way of sound, but for myself, and those of you who can fall in love with the sensitive magic of artists like Sigur Ros just as easily as you can the sweaty pounding of well crafted electro, I’m proud to present to you the most perfectly crafted combination of all that there is to enjoy in this word: The Deer Tracks.

The Deer Tracks

Essentially, the title says it all: The electronic duo made up of the Swedish David Lehnberg and Elin Lindfors will pull you into a white world of emotion that can only be described by the image of deer tracks on snow. They’ve taken the haunting softness and gentle horns and bells of the Icelandic, Sigur Ros, and have managed to combine it with the electronic instruments similar to those used by MGMT, M83, or even Air, without losing even the slightest bit of emotion, which, seeing as electronic instruments manage to mask the mind behind the compositions quite well, is an impressive feat. Give any one of these newly released pieces only a few moments of your time, and you’ll have become overwhelmed by the power of a melancholy world. There is no happiness or sadness, no wants or need. Amidst these beautiful waves of sentiment, you’ll feel a perfect nothing–the utmost tranquility. Might I suggest that you put on your headphones, breath deep, close your eyes, and live.

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MP3: The Deer Tracks – Yes, This Is My Broken Shield

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The Deer Tracks – Cast Away

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The Deer Tracks – Slow Collision

It’s artistry like this that makes me feel like I really am missing out on a whole other world.

Sigur Ros

Thursday, June 12th, 2008


It feels a bit strange to stray from the pure disco path I’ve been taking, but when something as beautiful as Sigur Ros’s latest work finally lands within reach, keeping it a secret would be the truest of crimes. The leaked track titled “Gobbledigook” (actual name or merely a result of the inability to read Icelandic, I’m not sure), which is due to be released in about a week or so as part of “Með suð í eyrum við spilum endalaust” (Don’t even try), is an incredible change from the classic Sigur Ros sound that we’ve come to know; It’s lighthearted and gracefully upbeat, but at the same time, the true depth and ability to convey emotion to an audience that can’t even understand their language stands strong. Utterly amazing…

Sigur Ros – Gobbledigook