You know what’s weird about remixes these days? Ten years ago, everyone took a completely different approach to the art. It used to be about taking a finished tune with a good hook, and looping, reworking, extending, and modifying that hook to make it work in a club. Or perhaps it was about modifying a bass line, or slightly altering the key to catch people off guard in a club setting. This is no longer the case.
In the last several years, as inspired by the enormous influx of young and motivated producers, remixing has become an entirely new art form, in which one uses a few elements of an original track (beat, vocal, synth line, etc.) as the basis for an entirely new track, complete with it’s own hooks, beats, and musical thoughts, and this has left what used to be considered a “remix” looking like nothing more than a meager edit.
Have a listen to remixes by artists like SebastiAn, or Seriusmo; Half the time you can’t even make out the original track. How is it considered a remix? At this point I’ve got no idea, but what I do know is that these so called remixes seem to be converting original tracks into some serious inspiration, because the things coming out, well, they’re damn good.
Have a listen to these two versions of Etienne de Crecy’s “Hope”, and see what you think.
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