Ad Me


Parcheesi?







Posts Tagged ‘Rusko’

Exclusive Interview: Mary Anne Hobbs

Friday, November 27th, 2009

mary anne hobbs

Have you ever wished you could somehow be a part of a movement that would revolutionize the world of music? How many times have you caught yourself listening to the Beatles, wondering what it would have been like to be listening to those very same sounds back in the early 60’s, when the entire genre of rock as we know it was essentially being pioneered? Well, while I haven’t yet found a reasonable way to bring these time transcending dreams to fruition, what I can tell you is that interviewing Mary Anne Hobbs, queen of dubstep, brought out a feeling in me that I can only imagine would be the very same I would have gotten interviewing those four, had I been born a few decades earlier.

mah

If you don’t know her, she is the…, you need to…, you deserve a…, I should…, you are awful.

Kidding. For those of you feeling a little left out, Mary Anne Hobbs is one of the Beatles of dubstep, and essentially one of the most significant reasons that the genre has made it out to the ears (and also the chests, feet, and perhaps even the nostrils) of the world today. She is among the first to have picked up on the genre, and thanks to her having debuted the Dubstep Warz series on Radio One in 2006 (Did I mention she’s been a Radio 1 dj for over fifteen years?), the world is now in love with what might otherwise have never left its cozy home in Bristol. Long story short, this is an interview worth reading.

 

Interview With Mary Anne Hobbs

UhOhDisco: You’ve been affiliated with Radio 1 for quite some time now. What kind of music were you into before dubstep emerged?

Hobbs: Genre is not important to me at all.. i’ve always loved unique and elemental music of every type.

UhOhDisco: These days it’s easy to see how people can migrate to the world of dubstep so easily; The surge in the popularity of dance music and “electro”over the last few years has made the transition a no brainer, but the music world was a different place back in 2006 when you started the Dub Warz series. Can you think of anything in particular that caused you to make the leap?

Hobbs: I responded to dubstep in the same way as John Peel responded to punk.. i was so overwhelmed by the sound that it changed the trajectory of my life and my BBC Radio1 show.. i didn’t abandon the other forms of music that i love at all, but i did become a global evangelist for dubstep.

UhOhDisco: Were there any artists that were particularly influential to you at that time?

Hobbs: Loefah, Vex’d, Pinch and Digital Mystikz.

UhOhDisco: Considering the world of dubstep and a lot of electronic music in general has come to be known as one dominated by men, what is it like being a woman in the midst of it all?

Hobbs: Quite wonderful.. some my very best friends in this industry are men and i get nothing but love, support and respect from them.

UhOhDisco: You’ve been called the sort of “maternal figure” of the dubstep world. Would you agree?

Hobbs: I’m nobody’s mother.. what i do, is nurture a lot of young gifted producers that i love and really believe in.

UhOhDisco: A lot of people seem to think that dubstep won’t be able to last as a form of dance music because it appeals more to men than to women. Any thoughts?

Hobbs: If you can’t see the women you’re looking in all the wrong places. Vaccine, Kito, Subeena, Cooly G, Ikonika are making some of the freshest and most challenging music in the world right now.

UhOhDisco: The last show I went to I saw 12th Planet and ToddlaT, and during both of their sets, a good number of people started moshing… in a club. I had never seen this before. Do you think moshing is an appropriate response to dance music?

Hobbs: Dancing is freedom of expression… there’s no reason to censor it.

UhOhDisco: Is dubstep a wave you can see yourself riding out indefinitely, or are you already looking for the next big thing in music?

Hobbs: Electronic music moves forwards in thousands of scattered steps every day.. my mission is all about progression.

UhOhDisco: Do you notice a big difference in the way people react to music in America as opposed to England, or even Europe in general?

Hobbs: There’s always something very special about playing in America.. it feels like you are in The Beatles.. there’s such a hunger for fresh British sound.. my first tour here in September was one of the greatest experiences of my life.. you can see my diaries at http://www.xlr8r.com.

UhOhDisco: How do you feel about people like Rusko, who’ve taken dubstep in a poppier direction by working with more melodies and vocals?

Hobbs: Good luck to him.. every artist should be the master of his own destiny.

UhOhDisco: What’s your favorite tune at the moment?

Hobbs: Joy Orbison – ‘J. Doe’/'BRKLN CLLN’ (Doldrums)

UhOhDisco: Is there a track that you can’t do a set without?

Hobbs: Something by Jakes.

UhOhDisco: Tell us something we probably don’t know about you.

Hobbs: I can’t walk more than 10 paces in high heels.

Special thanks to Scion’s Houseparty events and my dear friend Whitney for making this interview possible.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Joker – 3k Lane

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Caspa – The Takeover feat. Dynamite MC (Original Mix)

Free Tickets: Rusko in Los Angeles this Friday

Wednesday, November 18th, 2009

It’s getting to be that time of the week again. The tenseness of the coming weekend’s ambiguity is again upon us, and at this point, rather than focus on our jobs/schoolwork and what-have-you, our minds become preoccupied with scrambling to have something to do once Friday night finally arrives. Since I’m entirely aware of the massive amounts of trouble and (if I might phrase this so) anti-massive amounts of productivity this scramble leads to, I’ve decided that in the spirit of happiness, I’m going to take the high road this weekend, and point my fellow Angelinos in the right direction: Control.

Free Tickets

Rusko

Should you happen to be one of the lucky first to view this post (and don’t ever doubt that you might very well be), you need only to follow two simple steps to score yourself a pair of free tickets to see Rusko at Control in Los Angeles this coming Friday. All you need to do is:

  1. Become a fan of UhOhDisco on Facebook
  2. Mention @UhOhDisco in a twitter post, along with your email address

That’s it that’s all, and you’re on your way to the Avalon to be scooped up and away by the strong arm of the bass. So make your move, or you just might show up to work on Monday and find out that you’re now the only one lacking a wonky wonky mohawk.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Leon Jean Marie – Bring It On (Rusko Remix)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Rusko – Hammertime

The Proxy and Beetroots Wreck The Reality of Music

Wednesday, July 22nd, 2009

There is a range of musical taste in which things tend to stay within the reaches of what we tend to consider “normal.” This range typically spans a great deal of territory, beginning on the leftmost side at “soft” and “gentle”– an ambiance typified by artists like Sigur Ros and The Album Leaf–and progresses to the right, all the while becoming louder and heavier, until it culminates at a point where many people (generally those above a certain cutoff age) see fit to classify it simply as “noise.”

Now this scale is one that composers and producers try with all their might to fit in to, largely due to the fact that each point on the scale has its own respective crowd (or if you will, “scene”) which it corresponds to, and that making music to please a certain “scene” is a surefire way to pull a hit out of the hat. As such, this electronic world with which we associate ourselves is full of remixes and collaborations who’s authors’ styles balance each other nicely, and cause the final result to rest neatly within the scale of acceptance.

The Bloody Beetroots

Let’s say the scale is a pretty boring one, and goes from 1 to 10. That puts a few of the most eminent acts at the moment (to name a very small number of them) at:

  • Kid Sister: 5
  • Rusko: 8
  • Dj Mehdi: 5
  • Boys Noize: 9
  • Miike Snow: 3
  • Royksopp: 4
  • MSTRKRFT: 8
  • Soulwax: 7
  • Simian Mobile Disco: 7
  • The Bloody Beetroots: 9
  • Tiga: 6

Now, when these guys decide to remix each other or work together, they usually tend to be pretty complimentary styles. Let’s take a look:

Simian Mobile Disco & Kid Sister – Pro Nails
Heavier electronic combined with milder, peppier hip hop
Result: 6

Boys Noize and Tiga – Move My Body
Tiga track with a solid beat, given the Boys Noize treating yields a pretty heavy mix.
Result: 9

Rusko & Kid Sister – Pro Nails
Kid Sister earns some wild dubstep bass.
Result: A grimy 7

Miike Snow & DJ Mehdi – Burial
Mehdi’s househop links up with a mellow pop tune.
Result:4

I suppose you probably get the idea by now. The results are usually within reason; That is, two differing styles and melded together to yield a new tune that falls somewhere else within reason on the scale. I must however, encourage a large amount of weight to be placed on the word “usually”, for due to an event not dissimilar to what I expect the apocalypse to feel like, the laws of reason and logic by which I had previously lived my life were beaten (and in particular, kicked) into nonexistence.

the proxy

What happened you ask? I suppose you could say curiosity got the best of the cat; That is, the disco world finally grew tired of the predictable results of combining two different points on the scale, and decided to see what would happen not only when two very similar parts were combined, but pushing insanity even further, to see what would happen when two artists, both of whom are nearly bursting off the top end of the scale already, combine their power. The result:

The Proxy (nearly a perfect ten himself) & The Bloody Beetroots

The Proxy & The Bloody Beetroots

Never before in my life have I encountered the kind of anger and abrasive noise. Naturally, the track entitled “Who Are You” (though I would have deemed it more appropriate to call it “What Are You”) cannot be contained within the boundaries of our precious scale, but seeing as the track is so deafening so as to pose the potential risk of opening a rift in the space time continuum, to analyze just how far off the end it travels would be reckless foolishness.

Get your ear plugs ready.

Proxy – Who are You (The Bloody Beetroots Remix)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

SMASH YOUR STEREO | Who Are You (The Bloody Beetroots Remix) – Proxy from WeHeartHouse on Vimeo.

An Artist’s Proof of String Theory

Wednesday, April 29th, 2009

Remember that movie Cloverfield? The one that caused such an extraordinary disturbance due to its having seemingly no plot or any alternate intention? Well it turns out the entire film is just an attempt to metaphorically describe the process by which dubstep is invading the disco world.

Think about it. If you run a side by side comparison on the two, they’re strikingly similar. Both are sources of an extraordinary amount of bass, which is arguably scarier than the monster (track) itself, and both are caught on tape entirely through the use of awful handicams (cell phones) that simply fail to capture and to do justice to the true excitement of the moment. One could even go as far as to say they both live underground, however, I prefer not to lose an unnecessary number of friends in a debate over what is and isn’t “underground.”

rusko

Long story short, the question of whether or not dubstep is going to share the stage in the future of disco is no longer debatable. Thanks to producers like Hervé, who’ve taken the initiative to draw connections between the (if you will) “mainstream” electro and dubstep, the risk of heart attack during the transition to half tempo has been greatly reduced, and thus, the floodgates rest in the open position. In fact, it’s only a matter of time before Simon Cowell is scolding pretty, young girls for their lack of bass wobble. *shudder*

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Hervé – Science of Fear (Hervé Dub Remix)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Count and Sinden – Stinging Nettle

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Kid Sister – Pro Nails (Rusko Remix)

George Lenton

george lenton

The Rusko and Hervé tracks require essentially no explanation, considering their blatant prominence in the dubstep scene, however I feel the need to comment on the work of the UK’s George Lenton, which undoubtedly brings new meaning to the word “multitalented.” Having heard his work for the first time
on Radio 1 in the form of a poppy (and certainly not dubstep-y) remix of a Yelle track, it goes without saying that I was quite surprised to be knocked to the floor by the wall of bass that was his subsequent release. I’ve since heard everything from alt rock to electro to the heaviest of “wWOOWw”s from this producer / purpose-bread disco manufacturing machine, which is nothing less than impressive coming from someone who has little more to say than “I was doing band stuff, now I’m doing this stuff.”

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

George Lenton – Jungle Whomp