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Posts Tagged ‘circuit freq’

Around the World A-round the Werrrlldd

Wednesday, September 3rd, 2008

We all know the internet has had quite a large effect on the music industry; Sometimes I doubt that there remains a single soul left in the world that hasn’t contributed a dollar to Apple’s iTunes at least once in their life, but looking at this massive change from a modern perspective, it’s all good, right? Digitalization has allowed artists like Radiohead (and several other open-minded trend setters) to release their work upon completion and without corporate delay. Further, I feel it’s safe to say that a fairly large chunk of those of you who are reading this would find yourselves shit out of luck when it comes to discovering new music without the abundance of audio blogs on the net. In fact, you might actually be forced to (gasp) scour a record store. And I mean, yes, there’s the whole issue of creative copyrights, but seeing as it’s been discussed just about everywhere else on the net, I’m sure we’re all quite aware that merchandise and performance make up most of a musicians income anyway, so really, the only ones getting hurt by free music downloads (in most cases!) are the massive (although it must be mentioned that they seem to be losing steam) record labels. Point being, to sit back and accept the digital takeover as a collective win for the music world is quickly becoming an effortless feat, and this makes it twice as hard for the hesitant few to point out the complications that most certainly do arise.

Sure, there are thousands of complications here and there that I could complain about, but what’s really getting to me as of late is the notion that the ease of the transfer of music across the globe may actually be having a negative affect on the concept of culture that separates one nation’s musical style from another’s. Thinking back a couple years, ever since French artists like Justice pioneered the nu-rave electro sound back in late 2005, we’ve been hearing nothing but knock offs of that particular sound, regardless of the country of origin, and it’s only when an artist emerges that truly has pioneered a unique and individual style that it becomes easy to see what we’re missing.

Balkan Beat Box

Hailing from all over Eastern Europe, the project known as Balkan Beat Box claim a “strong urge to create a new musical breed that surpasses the old reality borders,” and after having a listen to a couple of their works, you won’t doubt that they know what they’re doing, and exactly how they’re going to do it. Their music incorporates the talents of 10 unique instrumentalists to create an almost Klezmer-fused electro style distinctive of the Eastern parts of Europe, and though you might find yourself a bit overwhelmed and confused at first, approaching these tracks with an mind will truly open the floodgates of possibility and leave you begging for more. In fact, the Balkan sound has so quickly become irresistible that several other artists, including the Italian Crookers, who were previously completely unrelated to the sound have already made the effort to embrace it within their own work.

Here’s a funky saxophone heavy Balkan Beat Box track, as well as the aforementioned Crookers effort.

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Balkan Beat Box – Digital Monkey

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Crookers – Gipsy P

Rayflash

Hopping back in the plane, I must say it’s certainly about time we return to Japan to follow up on the early summer post on the Japanese crunch god, Rayflash. Though I can’t go so far as to say that his music has much of a Japanese influence, I can certainly endorse the fact that Ray has truly extended his reach into entirely untouched areas of electro. His mixes are notorious for their audible pool of influences, reaching just as much into the Daft Punk library as they do into the heavy electro of artists like Circuit Freak and The Bloody Beetroots, and his latest track is certainly no exception. His nearly eight minute long remix of Artego’s “Girl” will take you on a pummeling electro journey through crunchy, hair-raising worlds, and I can guarantee that, assuming you make it out alive, the place you end up will not be the one you expected. All things considered, I would advise that you make use of your seatbelt.

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MP3: Artego – Girl (Rayflash Remix)
YSI: Artego – Girl (Rayflash Remix)
ZShare: Artego – Girl (Rayflash Remix)

And for those of you who simply can’t be satisfied by a paltry single track, I thought you might like to know that our good friend Ray has made a special effort to cater to your (and I do mean your; he loves us all) interests. He’s come up with a mixtape that will fill more than an hour of your life with the warped out glitches of his dj sets, and may I say that he’s done an unbelievable job. You may have noticed I’m not prone to posting mixes, but trust me, this one will take power over you. I simply couldn’t hold back.

YSI: Rayflash DJ Mix 2

ZShare: Rayflash DJ Mix 2

I Shall Call It… Minimalectro!

Tuesday, June 24th, 2008

It really is incredible how rapidly the music scene’s been changing these days. Think about it: About a year ago, under the reign of Ed Banger, it was nearly impossible to go ten minutes without having some sort of distorted, fuzzy, static-y, Waters of Nazareth-derived synth rammed into your eardrum, and (needless to say) most of us were loving it. If it wasn’t heavy, it wasn’t fit for the iPod (In fact I’m convinced Mr. Pedro Winter actually just made a typo on his record label’s name. I’m pretty sure it was supposed to be “Head Banger”. But actually, maybe he did it on purpose so as not to draw the metal heads into his own personal genre? I suppose that deserves some pondering…). You know, no one expects any one kind of music to last forever, but even I’m amazed at how fast that blew over. It’s like we all just all of a sudden realized that the guy who invented electro was actually some dead science fiction writer who was promising to build us a space ship. Artists like Circuit Freq and The Proxy almost never make a blog appearance anymore without the blogger commenting on how s/he “Didn’t think people were digesting this kind of music anymore.”

And it’s true; From there, the disco kids decided to get in touch with their roots, hence the massive 80’s revival. Artists like Chromeo, Danger, and Calvin Harris decided they didn’t like all that distortion on their synthesizers, so they started their own revolution, and for a while there, we were all considering buying Delorians, weren’t we? (It’s okay. You don’t have to answer out loud. You were.)

Crookers


The reason I’m commenting is because it seems as though we’ve undergone yet another musical revolution. A couple guys from Italy, working under the name Crookers, decided that they just didn’t like all that noise very much at all, and they decided to do away with it all together. Their tracks are little more than a punchy house beat with a few microsamples, a few vocals, and minimal synth usage, almost like a more progressive, electro-fused minimal, and somehow they’re simply incredible. There’s no doubt the boys have started a revolution: More than just a few producers have recently adopted nearly identical styles, and the news just keeps coming. I’m clueless as to why we’ve gone crazy for merely the skeleton of the music that was so recently such an important part of disco, but that’s not to say I’m not loving it!

Also, if you’ve already hopped on the Crookers bandwagon and are just dying to see those Italian heads bob, you might be happy to hear that they’ve finally make their way out to California. They’ll be throwing down the goods tonight at Cinespace’s Dim Mak Tuesday, as well as at tomorrow in San Francisco.

While you wait, check out their latest body-mover:

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Crookers – Mad Kidz

And you’re just dying to hear more of those delicious housy beats (which I know you are) you might want to look into Aston Shuffle. The (I almost feel ridiculous at this point even having to mention this) Australian artist has a similarly infectious beat, but with a bit of a more traditional electro touch. There’s no doubt the vocoded hook toward the middle of the track will have you clicking the repeat button.

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The Aston Shuffle – For Everyone

A-Trak


Moving in a different direction, there’s been a rather unusual release from the likes of A-Trak today. The hip-hop gone electro dj/producer has recently finished a 45 minute long original piece for Nike that’s intended to be the perfect soundtrack to your workout. According to A-Trak himself, his mix is a cross between his newer Disco style and his hip hop roots, so you can expect to hear a bit of the electro rap we’ve been encountering more and more frequently. If you’re already busting out the short shorts and the ear buds, you might want to grab the mix on iTunes before you leave. It’s under the Nike sports section.

And as a final touch, I simply must include this rather frustrating little video I stumbled across. It’s one thing to have an opinion but oh is Mr. Henry Rollins the ignorant one… If you don’t feel like spending quite a lot of time fuming over the controversial comments on the video, I suggest you don’t read them, lest steam start to leak from your ears.