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Posts Tagged ‘caspa’

Exclusive Interview: Mary Anne Hobbs

Friday, November 27th, 2009

mary anne hobbs

Have you ever wished you could somehow be a part of a movement that would revolutionize the world of music? How many times have you caught yourself listening to the Beatles, wondering what it would have been like to be listening to those very same sounds back in the early 60’s, when the entire genre of rock as we know it was essentially being pioneered? Well, while I haven’t yet found a reasonable way to bring these time transcending dreams to fruition, what I can tell you is that interviewing Mary Anne Hobbs, queen of dubstep, brought out a feeling in me that I can only imagine would be the very same I would have gotten interviewing those four, had I been born a few decades earlier.

mah

If you don’t know her, she is the…, you need to…, you deserve a…, I should…, you are awful.

Kidding. For those of you feeling a little left out, Mary Anne Hobbs is one of the Beatles of dubstep, and essentially one of the most significant reasons that the genre has made it out to the ears (and also the chests, feet, and perhaps even the nostrils) of the world today. She is among the first to have picked up on the genre, and thanks to her having debuted the Dubstep Warz series on Radio One in 2006 (Did I mention she’s been a Radio 1 dj for over fifteen years?), the world is now in love with what might otherwise have never left its cozy home in Bristol. Long story short, this is an interview worth reading.

 

Interview With Mary Anne Hobbs

UhOhDisco: You’ve been affiliated with Radio 1 for quite some time now. What kind of music were you into before dubstep emerged?

Hobbs: Genre is not important to me at all.. i’ve always loved unique and elemental music of every type.

UhOhDisco: These days it’s easy to see how people can migrate to the world of dubstep so easily; The surge in the popularity of dance music and “electro”over the last few years has made the transition a no brainer, but the music world was a different place back in 2006 when you started the Dub Warz series. Can you think of anything in particular that caused you to make the leap?

Hobbs: I responded to dubstep in the same way as John Peel responded to punk.. i was so overwhelmed by the sound that it changed the trajectory of my life and my BBC Radio1 show.. i didn’t abandon the other forms of music that i love at all, but i did become a global evangelist for dubstep.

UhOhDisco: Were there any artists that were particularly influential to you at that time?

Hobbs: Loefah, Vex’d, Pinch and Digital Mystikz.

UhOhDisco: Considering the world of dubstep and a lot of electronic music in general has come to be known as one dominated by men, what is it like being a woman in the midst of it all?

Hobbs: Quite wonderful.. some my very best friends in this industry are men and i get nothing but love, support and respect from them.

UhOhDisco: You’ve been called the sort of “maternal figure” of the dubstep world. Would you agree?

Hobbs: I’m nobody’s mother.. what i do, is nurture a lot of young gifted producers that i love and really believe in.

UhOhDisco: A lot of people seem to think that dubstep won’t be able to last as a form of dance music because it appeals more to men than to women. Any thoughts?

Hobbs: If you can’t see the women you’re looking in all the wrong places. Vaccine, Kito, Subeena, Cooly G, Ikonika are making some of the freshest and most challenging music in the world right now.

UhOhDisco: The last show I went to I saw 12th Planet and ToddlaT, and during both of their sets, a good number of people started moshing… in a club. I had never seen this before. Do you think moshing is an appropriate response to dance music?

Hobbs: Dancing is freedom of expression… there’s no reason to censor it.

UhOhDisco: Is dubstep a wave you can see yourself riding out indefinitely, or are you already looking for the next big thing in music?

Hobbs: Electronic music moves forwards in thousands of scattered steps every day.. my mission is all about progression.

UhOhDisco: Do you notice a big difference in the way people react to music in America as opposed to England, or even Europe in general?

Hobbs: There’s always something very special about playing in America.. it feels like you are in The Beatles.. there’s such a hunger for fresh British sound.. my first tour here in September was one of the greatest experiences of my life.. you can see my diaries at http://www.xlr8r.com.

UhOhDisco: How do you feel about people like Rusko, who’ve taken dubstep in a poppier direction by working with more melodies and vocals?

Hobbs: Good luck to him.. every artist should be the master of his own destiny.

UhOhDisco: What’s your favorite tune at the moment?

Hobbs: Joy Orbison – ‘J. Doe’/'BRKLN CLLN’ (Doldrums)

UhOhDisco: Is there a track that you can’t do a set without?

Hobbs: Something by Jakes.

UhOhDisco: Tell us something we probably don’t know about you.

Hobbs: I can’t walk more than 10 paces in high heels.

Special thanks to Scion’s Houseparty events and my dear friend Whitney for making this interview possible.

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Joker – 3k Lane

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Caspa – The Takeover feat. Dynamite MC (Original Mix)

Dubstep Becomes Electro

Monday, September 28th, 2009

It really is shocking how fast the music industry of today evolves, especially when compared to the one the world knew, oh say, 50 years ago. Sometimes I become lost within my own mind, pondering the issue of whether it really is an artist himself that shapes the kind of impression he leaves on the world, or if it actually has more to do with the industry surrounding him. Let me explain:

The Beatles are known to a rather large portion of people as one of, if not the greatest band in history, and this is likely due, in large part, to the near legendary status the band has achieved through the extended amount of time they’ve spent in the limelight, the worldwide, simultaneous acceptance of their music, and to the stories that have thusly been passed down through several generations (although as of this month, the stories will very likely cease to be passed on, and will hereby be replaced by “Rock Band,” and quite naturally, an entire generation of children shouting, “Hey wait! How did those guys know Rock Band songs before the game was even invented?”). But let us, for the sake of this point, pretend that the Beatles had started their revolutionary work in 2009, rather than in the 60’s. If their music had been able to spread across the world in a matter of only a couple minutes, rather than several years, would they have made such a substantial impact? Or would would the constant music stimulation from blogs and instant media sources allow them to fall out of the mainstream just as easily as they came into it?

DUBSTEP

Either way, there’s no denying the fact that today’s music industry moves very fast. I recall a time only a few years back when dj’s who chose to drop an electro track at a party would quickly find themselves either spinning for an empty house, or would be continuously bombarded by the infamous, “Can you play something I can dance to?” request. And yet here we are today, listening to MSTRKRFT’s Heartbreaker on mainstream radio and watching Will.I.Am morph into Zuper Blahq. That means that it took only three years for electro to go from completely unheard of to full on mainstream, and I’m convinced that this is, whether or not we want to accept it, the way of the future.

udachi

So what, you might ask, got me thinking about all this hypothetical junk? Strangely enough, it wasn’t the Beatles, and it wasn’t electro; It was dubstep. In thinking about this emerging genre, it is impossible to ignore the plethora of ties that it has to the electro world (and no, not it terms of sound, but rather of progression). Electro started out completely underground, and then gathered attention by including hip hop verses and associating itself with the mainstream hiphop world, and in an astonishing parallel, dubstep started out as a peculiar British phenomenon that struggled to fill even the smallest of venues, and has since gathered considerably more attention by associating itself with the electro world.

So what does this mean? Has today’s music industry really changed the way music itself evolves? It it still possible for a single artist to remain at the forefront of the industry for more than a couple years? How far will dubstep go? Will it follow the same evolutionary path that electro did?

Here are a couple of pieces to get your mind thinking electro/dubstep hybrid. And naturally, should they provoke any interesting ideas, feel free to share.

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TC – Where’s My Money (Caspa Remix – Jack Beats Re-Edit)

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Udachi – Jellyroll