Remember that movie Cloverfield? The one that caused such an extraordinary disturbance due to its having seemingly no plot or any alternate intention? Well it turns out the entire film is just an attempt to metaphorically describe the process by which dubstep is invading the disco world.
Think about it. If you run a side by side comparison on the two, they’re strikingly similar. Both are sources of an extraordinary amount of bass, which is arguably scarier than the monster (track) itself, and both are caught on tape entirely through the use of awful handicams (cell phones) that simply fail to capture and to do justice to the true excitement of the moment. One could even go as far as to say they both live underground, however, I prefer not to lose an unnecessary number of friends in a debate over what is and isn’t “underground.”
Long story short, the question of whether or not dubstep is going to share the stage in the future of disco is no longer debatable. Thanks to producers like Hervé, who’ve taken the initiative to draw connections between the (if you will) “mainstream” electro and dubstep, the risk of heart attack during the transition to half tempo has been greatly reduced, and thus, the floodgates rest in the open position. In fact, it’s only a matter of time before Simon Cowell is scolding pretty, young girls for their lack of bass wobble. *shudder*
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Hervé – Science of Fear (Hervé Dub Remix)
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The Count and Sinden – Stinging Nettle
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Kid Sister – Pro Nails (Rusko Remix)
George Lenton
The Rusko and Hervé tracks require essentially no explanation, considering their blatant prominence in the dubstep scene, however I feel the need to comment on the work of the UK’s George Lenton, which undoubtedly brings new meaning to the word “multitalented.” Having heard his work for the first time
on Radio 1 in the form of a poppy (and certainly not dubstep-y) remix of a Yelle track, it goes without saying that I was quite surprised to be knocked to the floor by the wall of bass that was his subsequent release. I’ve since heard everything from alt rock to electro to the heaviest of “wWOOWw”s from this producer / purpose-bread disco manufacturing machine, which is nothing less than impressive coming from someone who has little more to say than “I was doing band stuff, now I’m doing this stuff.”
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Tags: George Lenton, herve, Rusko
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Dubstep has been hovering and growing over the last couple months but the dance music world is cyclic. Everyone went nuts for ‘house’ then ‘electro’ then there was a little bump in ocean for ‘nu-disco’ or whatever the kids were calling it and now ‘dubstep’.
This genre will come and go like the rest… but hey lets enjoy it while we can!
i disagree with Ubbs… did house and electro really ‘come and go’? they peaked at different time periods,yea… but none of it really ever left. tell that to the legions of b’more and chitown house fans that still fill the clubs.
dubstep isn’t near that kind of popularity, but those that follow the blogs via microscope will see that kind of saturation… because it’s hella good. it’s nowhere close to peaking though, yet even when it does, it’ll continue to evolve into the next step rather than dying off completely.
Anyone does still remember “UK Garage” and the future that was predicted for it? I rest my case.
i also have to disagree with ubbs. house music is as big as ever and won’t be going anywhere! I strongly think that dubstep will be around for a very long time to come too!
Love the blog, I’ve listened to caspa like 54 times today. Keep up the blog man!
Love the blog, I’ve listened to hot pink delorean like 36 times today. Keep up the blog man!